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Artwork 'End Of The Line' by Gimiro: Grand Romanesque hallway with the artist's symbolic journey, a prelude to 'Path To Paradise. Artwork 'End Of The Line' by Gimiro: Grand Romanesque hallway with the artist's symbolic journey, a prelude to 'Path To Paradise. Artwork 'End Of The Line' by Gimiro: Grand Romanesque hallway with the artist's symbolic journey, a prelude to 'Path To Paradise.

End Of The Line

“End Of The Line” by Gimiro is an intricately detailed and symbolically rich drawing that offers a captivating visual narrative. This artwork depicts a grand hallway characterized by Roman-style arches and massive marble pillars, creating an aura of timeless grandeur and sophistication. At the end of this grand hallway stands a remarkable statue, sculpted in the classical style reminiscent of the Roman gods – a symbol of the ideal man. This statue is a testament to the sculptor’s mastery of form, with its astonishingly large muscles and an embodiment of masculine beauty.

In the foreground of this stunning piece is the artist himself, Gimiro, who is portrayed as a young adult, walking down the expanse of the hallway. In stark contrast to the imposing figure of the statue, the artist appears diminutive and almost overwhelmed by the scale of the Roman architecture. In a tuxedo, Gimiro’s expression is a mixture of apprehension and contemplation, giving the viewer insight into the emotional journey he is undertaking within the artwork.

The narrative of “End Of The Line” is not just confined to the visuals; it serves as a prequel to Gimiro’s forthcoming masterpiece, “Path To Paradise.” Both drawings coexist in the same artistic universe, seamlessly connecting Gimiro’s creative expression. “End Of The Line” serves as a thematic precursor, hinting at the transformation and journey that will unfold in “Path To Paradise.”

The drawing, “End Of The Line,” is symbolic on multiple levels. It commemorates a significant milestone in Gimiro’s career – his first art exhibition. The imposing statue reflect the artist’s ambition and the scale of the artistic journey he is embarking upon. The hallway, with its Romanesque elements, can be interpreted as a metaphorical representation of an artistic odyssey – a path marked by challenges, discovery, and transformation.

Gimiro’s presence in the drawing as a young adult, surrounded by the columns and overshadowed by the statue, signifies the artist’s own evolution and growth. The mixture of emotions on his face encapsulates the artist’s journey as he takes the first steps on this monumental path.

Original drawing

The frame is an old frame bought in a thrift store

Handdrawn with pen on white drawing paper 110

Size x x x cm

Size frame x x x cm

Hand-signed by the artist

Date

October 19, 2023

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Artwork by Gimiro: A man holding an Eastern Orthodox crucifix, extending his hand in invitation, symbolizing faith and unity in 'Boy With Crucifix'.
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